Thomas Foden Flint

Thomas Foden Flint, a former Pilgrim Player, became the Rep’s first Stage Manager, a role he voluntarily relinquished after 5 months to make way for someone with more experience. He continued in the role of Assistant Stage Manager until he joined the Army in 1914.

When Dennis appeared in “The Three Musketeers” at Drury Lane in London in 1930 he acknowledged his debt to Thomas Foden Flint:

Yes, I must thank Birmingham for most of my knowledge about fencing. It was Mr. Foden Flint, the stage manager of the Repertory Theatre who taught me, and it was he who used to give me sixpence every time I got past his guard. I, of course, was then a call boy, but we found time in the mornings to do some serious fencing.

It is noted in Bache Matthews book that Thomas “was the only member of the company who persevered with his foils, to become later … runner up in the amateur championship”.

The image above, from my father’s scrapbook, shows Dennis as D’Artagnan (in the centre of the sketch) over the legend “In a Clash By Himself”.  Also, the panel in the bottom right has the following exchange:

Bill - “Mr King don’t ‘alf know how to make love to Miss Brune on the stage!”

Our Call-Boy - “Well, who wouldn’t? If a thing’s worth wooing it’s worth wooing well!”

The Three Musketeers and More

I know that my father went down to London in 1930 to see Dennis in The Three Musketeers. I believe he was with his brothers. I am not sure if his sister went. I know also that Dennis invited his parents to watch the performance and arranged for them to occupy the Royal Box at the Theatre Royal, Drury Lane. I am not sure if the whole family went down together.

My mother used to say that the brothers arranged to meet Dennis outside the theatre at some point. Whilst they were waiting for him and admiring photographs of him on display outside the theatre, Dennis crept up behind them and surprised them with "He is a handsome fellow, isn't he?!"

My father tucked two souvenirs from that visit into the scrapbook that ke kept. One is a programme for the performance (minus its cover) which is well worn and creased. The other is a magazine (again minus its cover) which looks as though it might have been given away free at the hotel they stayed at in London.

The free magazine is interesting. Without its cover it is difficult to date it but its contents suggest that it could be from March or April of 1930. It was called the "Courier" and it lists the hotels at which it was available. It is clear why it was kept. With accompanying photos, the centre pages advertise The Vagabond King which was showing at the Carlton Theatre (see photo above); there is a whole page devoted to advertising Dennis's recordings from The Vagabond King, along with his portrait, and as if that isn't enough there is a separate paragraph under the heading Successes From The Shows which says:

"Dennis King, the star of The Three Musketeers at Drury Lane and of the talking film version of The Vagabond King has made two fine records of the hits he sings with such ability. These are If I were King and Nichavo (H.M.V. B3363) and The Song of the Vagabonds (B2426). This latter will give some idea of how good he is in the film. A good selection of the music is found on Columbia 9195 by Percival Mackay's band."

The programme for the show is unmistakably my father's as one page contains pencil scriblings of the names of horses he was intending to place bets on, five in all!

These two souvenirs make it clear to me that there were two attractions in London when my father visited. Not only was there the stage performance of The Three Musketeers to attend but The Vagabond King was showing as well! It is only now, in looking at these items for this blog, that the full significance of that trip to London hits me.